Ayrshire's oldest established amateur dramatic group, since 1946


The Ayr Fort Players started from humble beginnings in a school classroom at Ayr Academy in 1946 to becoming one of the longest established, much loved amateur dramatic groups in Ayrshire. The earliest productions were staged at Ayr Town Hall, a challenging venue in which to perform drama - limited lighting, bad acoustics, no proscenium, absolutely no changing facilities - but they persevered.   
Then came an absolute revelation for the local drama community – Ayr Burgh Council had been convinced to buy and convert the Robertson Memorial Church into a Civic Theatre. So, from 1951 through to the early 2000s, local drama groups and touring companies had a wonderful new home. The theatre was an ideal size for drama and is still fondly remembered by those who played there or attended performances. In 2009 South Ayrshire Council took the hasty decision to demolish the theatre with concerns that there was an asbestos problem – that was an incredibly sad day.   

The Ayr Fort Players then moved into the Gaiety theatre but, just as they were about to stage How the Other Half Loves, the council shut the theatre down. Luckily there was an opening at Belmont Academy a year later, again a challenging venue but, if nothing else, the group are always up for a challenge. 

Eventually, after the Gaiety Theatre was saved and taken over by Ayr Gaiety Partnership, the Ayr Fort Players had, once again, found a new and exciting home.     Over the years, the Ayr Fort Players, have provided entertainment with classic farces such as See How They Run, Move Over Mrs Markham; quality modern drama – 84 Charing Cross Road, Steel Magnolias; Scottish comedies – Toom Byres, Whisky Galore and stage adaptations of popular TV sitcoms such as Dad’s Army and Fawlty Towers. In fact the Ayr Fort Players were the first to perform the stage adaptation of Fawlty Towers and were also the first amateur group granted the rights to Tony Roper’s famous Scottish comedy The Steamie, which played to packed houses during the 1997 Ayr Festival. 

For Homecoming Scotland 2009, the production was Rikki Fulton’s uproarious A Wee Touch O’ Class. Since then, the productions have covered Alan Ayckbourn’s How the Other Half Loves, another successful production of The Steamie, The Vicar of Dibley, Noises Off, No Sex Please We’re British, The 39 Steps, Stepping Out (which was produced at the Town Hall while the Gaiety was going through a facelift), The Ladykillers, City Lights, Gaslight, Murder on the Nile, etc. The production, before the Covid 19 epidemic took hold, was Don’t Get Your Vicars in a Twist – the last production to take place at the Gaiety before it was forced to close its doors due to the pandemic. We came bouncing back in 2022 with The Happiest Days of Your Life . Then, later that year, we presented an evening of monologues (and one duologue) especially commissioned for the Ayr Fort Players, using local artists, writers and directors under the umbrella of Doormatters

In 2023 our spring production was Agatha Crusty and the Village Hall Murders which was enthusiastically received.  Our Autumn production was Dead of Night a thriller, which fell on the same weekend as the International Air Show, so only had two performances. 2024 saw another successful production, this time it was Amateur Rites. In a nomal year, the Ayr Fort Players stage two productions, one in spring and one in autumn. Also, they are involved in Ayr’s many cultural events, touring and presenting one act plays.

If you are interested in an Ayr Fort Players production for your venue, please contact the President  

All profits from their productions are donated to Cancer Research and, as of 2022, in excess of £60,000 has been handed over to this much deserved charity.  
It seems nothing can stop the Ayr Fort Players and that is partly due to loyal audiences coming out for an evening's entertainment, knowing they can bring the whole family and have a great night at the theatre.



Long established Amateur group The Ayr Fort Players present a ‘radio play’ production (with cast reading from scripts alongside a technical team member undertaking live sound effects). 

Five Go To Glasgow is a parody of Enid Blyton's well-loved novels The Famous Five. Our Intrepid Five go on an adventure that is truly tongue-in-cheek! Laughs galore!

When Aunt Fanny sends ‘the five’ off to stay with George’s distant cousin in Glasgow, the four kids are taken on a walking tour of the city and sites. To their dismay someone they meet along the way absconds with their dog Timmy! Follow the kids’ extraordinary escapade as they leap into action with their cunning rescue plan, culminating with a slap-up afternoon tea with their Aunt Fanny to recount their big adventure.

The one thing to remember is - this is for radio, so maybe the 'kids' aren't quite as young as they would be if they had to appear on stage. In fact, the majority of the cast have waved goodbye to their youth a number of summers past!

A radio play for the stage

Thu 22nd and Fri 23rd August 2024

Sat 7th September 2024

Sun 8th September 2024

Sat 14th September 2024

Sun 15th September 2024

Tickets On Sale


NARRATOR - Sally Rennie
AUNT FANNY - Grainne Home
GEORGE - Amy McGillivray
TIMMY - Susan Dempsey
JULIAN - Mike Turberville
DICK - Alix Adam
ANNE - Maire McWilliams
MR HOGSHEAD - Jerry Ferguson
JIMMY - Craig Hill
FISH AND CHIP WOMAN - Marie McWilliams
ICE CREAM MAN - Euan McArdle
SFX - Susan Dempsey and Lesley Manson
STAGE MANAGER - Amy Anderson

DIRECTED by Nick Wakeham
with Amy Anderson


Click on the arrow for details of shows. 
If show has a live link then clicking on it will lead you to any images we have in our archives. 

  • Feb - Happy Birthday - Marc Camoletti
  • May - Intent to Murder - Leslie Sands
  • Oct - Relatively Speaking - Alan Ayckbourn
  • Feb - Suddenly At Home - Francis Durrbridge
  • May - A Tomb With a View - Norman Robbins
  • Oct - The Heiress - Ruth & Augusta Goetz
  • Feb - The Secretary Bird - William Douglas Home
  • May - Murder Mistaken - Janet Green
  • Oct - Pardon Me Prime Minister - Edward Taylor/John Graham
  • Feb - Move Over Mrs Markham - Ray Cooney/John Chapman
  • May - The House on the Cliff - George Benson
  • Oct - Butterflies Are Free - Leonard Gershe
  • Feb - Someone Waiting - Emlyn Williams 
  • May - Busybody - Jack Popplewell
  • Oct - The Inquiry - Charlotte Hastings
  • Apr - Signpost to Murder - Monte Royal
  • May - The Honours of Drumlie - James Scotland
  • Oct - Book of the Month - Basil Thomas
  • Dec - Ghosts and Old Gold - Reid Kennedy
  • Feb - Ladies in Retirement - Edward Percy/Reginald Denham
  • May - Wolf's Clothing - Kenneth Horne
  • Oct - All For Mary - Kay Bannermen and Harold Brooke
  • May - Goodnight Mrs Puffin - Arthur Ludgrove
  • Oct - Bell, Book and Candle - Jon Van Druten
Sep 64 - Mar 65
  • Touring Shows:
  • From Five to Five Thirty - Philip Johnson
  • Gibbie Proposes - T M Watson
  • Oct - Trial and Error - Kenneth Horne
  • Oct - A Lady Mislaid - Kenneth Horne
  • May - The Day's Mischief - Lesley Storm
  • Oct - Lace on her Petticoat - Aimee Stewart
  • May - Harlequinade - Terrence Rattigan
  • Oct - The Willy-Nilly Leech
  • Feb - Pink String & Sealing Wax - Roland Pertwee
  • Apr - He Sits by the Melting Pot - Kaj Munk
  • Nov - Grouse in June - N C Hunter
  • Jan - Black Chiffon - Lesley Storm
  • Jan - The Man Who Came To Dinner - Hart & Kauffman
  • Apr - Blithe Spirit - Noel Coward
  • Oct - Corinth House - Pamela Hansford Johnson
  • Nov - Toom Byres - Robert McLellan
  • Apr - Still Life - Noel Coward
  • Oct - The Browning Version - Terence Rattigan
  • Feb - Dark Summer - Wynard Brown
  • Oct - The Paragon - Roland & Michael Pertwee
  • Feb - He Walked in Her Sleep - Norman Cannon
  • Apr - School For Spinsters - Roland Pertwee
  • Oct - Too Young to Marry - Martin Flavin
  • May - The Roundabout - J B Priestley
  • Oct - The Sacred Flame - Somerset Maugham
  • Nov - Sordid Story - J A S Coppard
  • Jan - The Black Eye - James Bridie
  • Oct - The Housemaster - Ian Hay
  • The Rose and Crown - J B Priestly
  • The Twelve Pound Lock - J M Barrie
  • Ophelia - T B Morris


Ayr Fort Players have a variety of costumes from past productions which we hire out at a nominal fee. We also have props and furniture for hire.

Please use enquiry form below

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We all have memories of being part of a club or society - good and bad.

We are asking members, past and present, to share those memories with us.

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Auditions for new productions are open to all who wish to attend. Aspiring actors aren’t the only section of the theatrical community that we welcome with open arms. It takes many people to stage our productions. So, if you think you wouldn’t be comfortable on stage, why not consider joining us in one of the many other departments such as Stage Management, Props, Wardrobe, Scenic Design and Construction? We expect all our members to be involved in all productions if possible – one production you may be playing the lead and the next you could be a vital part of the backstage crew.   
Normally we rehearse twice a week in the centre of Ayr.

Membership costs only £15 per year, or £5 if you are a full-time student. If you are over 16 and are interested in becoming a member then fill in our form and we will let you know when the next audition is being held or invite you along to our current rehearsals.  

You can also contact us via Facebook or Twitter.  

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Contact Us

For absolutely any questions you may have about the Ayr Fort Players then please use the form opposite and someone will get back to you as soon as possible.

If you wish to join the company then please use the form above in the Join Us section of the website.

We look forward to hearing from you.

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Questions we often get asked - and the answers

How old do I have to be to join?

Answer. 16 or over. We would only use U16s if there was specifically a part for them in the production. If you are under 16 and are interested in theatre then we would suggest a local youth theatre such as Gaiety Youth Theatre, Centrestage, PACE or FIB.

I don't want to act - can I still join and take part?

Answer. As much as they would lead us to believe, it isn't all about the actors! We need backstage staff. People to gather and deal with props. People to source and deal with costumes. Stage Management. Set Design and Construction. Every single person is a much-needed cog in the wheel

What would be my commitment if I join?

Answer. If you join and audition and are offered a role in a play then you have to commit to rehearsing 2 nights per week. If this is not possible then you must think very carefully about auditioning for a part. Not being able to commit to that rehearsal period is not fair on the other members of the company. Should more than 2 consecutive rehearsals be missed then the director has the authority to recast the role. If you do not have a role in the play then we would ask that you try to come along to as many of the rehearsals as you can and to volunteer for other positions such as props, costume, stage management, etc. 

What sort of productions do you usually stage?

Answer. We cover everything from high drama to farce. The only objective is to produce a play that we feel the public would like to come and see. It can be anything from Shakespeare to Ayckbourne to Tony Roper. That is what makes it such a diverse group in which to belong. 

What does it cost to join?

Answer. There is a £15 yearly membership fee. For full-time students that is reduced to £5 per year. 

I would love to join but don't think I'm good enough. What should I do?

Answer. You will never know until you try. Get in touch, come along to rehearsals, get to know everyone. We are a really friendly lot and will encourage you all the way.